Lying in my
hard, narrow bed, the grey dawn light washes over me, along with the
early-morning sounds of pigs grunting energetically, dogs barking futilely, and
chickens clucking proudly. I stretch my limbs gently, and tell myself wistfully
that this is my last morning waking up in La Calera. I slip on my faded teal
flip-flops and clumsily walk down the too-high cement stairs, greeting Ines and
little Dylan in her arms. This is the last morning I will see their bright dark
eyes smiling at me as they hastily ready themselves for the day.
I am leaving. And I am left with so much.
I am left with so much more than I can ever articulate, with
textural impressions in my bones and images that linger with me like dreams.
But I want to reflect on a few themes with y’all. Some of the ideas that have seeped into my pores alongside
the Andean sun and rain.
One is the importance of community. Community is something in which I have invested
much energy and time and passion throughout my life. Even in striking out on my own to conduct
research in South America, community played an essential role. I was
sustained by a community of beloved beings in the United States and other
countries; the ones who wrote me emails, read my blog, skyped with me, and commented on my
facebook albums. I was embraced from afar by that warm network of international
support. I also was incredibly blessed by the people I met in Ecuador--both
Ecuadorans and foreigners--who welcomed me and made me feel at home. From my
first day in Ecuador, with a beautiful dinner and an auspicious moonrise, to
the Ecuadoran friends who proudly shared their country with me, to the Indigenous community that welcomed me to live in their
midst, to the sweet goodbye parties in my last days, and a surprise
accompaniment to the airport by two of my dear gringa friends, my various communities were what created the experience. More than
the research, or the travel, or even the important and ample opportunities for
solitary introspection.
| one of the goodbye parties, with my U.S. friends! |
Community is obviously not just important to me, but is
central to most human cultures. For the Indigenous people with whom I lived
these past months, community is essential, and the communal values shape the
lives of the individuals in profound ways. That is to say, it is a much
more communal culture than the United States. I want to share with you all some of the
values of that communal culture, as I experience and perceive them.
“Dar para recibir”/Reciprocity
I was struck constantly by the incredible generosity of the
people in the community in which I lived. If they would receive a gift, they would immediately
go distribute it among their friends. One common example would be receiving a
basket of fruit, and making little bundles of a few bananas and oranges to pass along to all the
households of friends and family members. When you come over to someone’s
house, they inevitably offer you something to eat or drink, even if you are
just stopping by. There is an undeniable generosity. But the truth is, it goes
beyond generosity. It represents a fundamentally different way of viewing the
world. When people give, it is not that they expect an immediate tit for tat,
but they really do give to receive. They give because people have always given to them and always
will. Because nothing that is "ours" is really ours. We have what we have
because of the cooperation of the community and planet in which we live, and share what we have,
just as we receive generous gifts from others. There is a reciprocity that pervades
the culture.
Minga/Communal Work
Related to that reciprocity is the concept of communal work
and cooperation. The minga (shared work/project) is a fundamental mechanism of the communal organization. When something big needs to happen, everyone works
together. This could be a project for the entire community, like fixing up
the local elementary school, or it could be just for an individual person,
such as building a new house, or holding funerary rites for a deceased loved
one. Either way, everyone comes by to lend a hand. Mingas are communal work, but they
are also communal funds. When a project needs doing, you will often hear “vamos
a hacer una minga” (we are going to
do a minga), which means that they will solicit financial contributions
and labor to make it happen. Both of
these cultural values (reciprocity and communal projects) are essentially social and economic security mechanisms
that ensure that no one becomes crippled by debt or hunger. Begging is viewed
very negatively in Kichwa culture, and one of the ways in which the Indigenous
who still live in their traditional communities are able to avoid begging
(unlike Indigenous who have migrated to the cities, for instance), is that the financial support of their community is a given.
Honesty
In addition to
working hard, not begging, contributing to the common good and communal
projects, a Kichwa person should be someone of his or her word. Communication
is often indirect in the culture, but honesty is extremely important. One
should always tell the truth, and one should always follow through with any
commitments. Unlike in the mainstream Mestizo culture of Ecuador, where plans
and commitments can be very flexible, and where saying that you will be
somewhere does not mean that you actually will, in Kichwa culture, being a
person of your word is considered essential. If your word has no value, than neither do you.
Complementarity
The Kichwa cosmovision asserts that everything has a
complement. This is especially seen in a strong focus on heteronormative
partnerships, and the importance of the relationship between husband and wife.
If a member of the community dies alone, widowed, or never married, the community
will often bury a dove with that person, so that he or she will be accompanied into
the afterlife. All energies in the cosmos have their complement, balance, and all
aspects of the natural world. Even the mountains are seen as couples, for example Taita Imbabura and Mama Cotacachi, the volcanoes in the province of Imbabura where I
lived.
Everything is Alive
This anthropomorphizing of the volcanoes relates to another
important theme: everything is alive. In the Andean cosmos, every single thing
is alive. The water, the rocks, the fire, the mountains. These things are not symbolically
alive, but truly, literally alive, with desires and feelings and agency. For this reason,
we must maintain relationships with the world around us, just as we maintain
relationships with our human sisters and brothers.
Relationship with Allpamama/Pachamama
The relationship with the earth and the agricultural cycles
is an essential part of life in the Andes. Their dancing is sort of a circular
stomping dance, meant to remind allpamama (mother earth) that you are there,
and the circles to emulate the cyclical motion of the seasons. The world is
alive, a complex organism of all these living parts that make up the body of
the earth mother. She has duality and complementarity in her nature, and the dual energies of male
and female, hot and cold, light and dark, wet and dry, and so forth, are at balance within her
body. As with the people in our community, we have a reciprocal relationship
with the earth. She gives to us the fruits of the earth, that we might eat and
have shelter and clothing, and we give back to her with gratitude. The earth (allpamama) gives us life, and we are sustained within the womb of pachamama (the cosmos). As humans we need these connections to survive. Whenever you
drink some beer or chicha with friends, you toss the dregs onto the ground,
shaking your cup with a flick of the wrist. This to give a little back to the earth
mother, as a ritual reminder of your gratitude for her bounty. We dance in her
honor, and perform rituals at the turning of the seasons, the planting, the harvest, and other important
cultural moments throughout the year.
Time
The turning of the seasons creates a cyclical pattern of
time. The same rituals are performed year after year as the planets spin on
their axes and our little globe circles around our flaming sun. In the
Indigenous cosmovision, time is represented as a spiral. We as people find ourselves at the center
of this spiral, meaning that from our perspective, we can’t move forward in
time without moving back, and we can’t look back without moving forward. We
live within the spiral of Pachamama’s womb, the complex stirrings of the
cosmos, the cyclical motion of time-space. “Pacha” in the Kichwa language is a concept closest to our western idea of space-time,
the indivisible continuum of reality in which we find ourselves.
| Mama Cotacachi |
| Taita Imbabura |
And so I leave, with these thoughts swimming around in my
head, these paradigms etched on my skin.
Running along the dirt road, the sounds of early
evening descend upon the quiet scene—the insects, barking dogs, and grunting
pigs provide accompaniment to the soft thud of my feet. The crinkly
cornstalks are silhouetted black against the pale blue dusky sky, and the familiar imposing
forms of the pair of volcanoes, Taita Imbabura and Mama Cotacachi, loom dark and
silent, their shawls of thick grey cloud wrapped around them as if for warmth in the
evening cool. The crescent moon is like a perfectly-filed fingernail. Good night,
La Calera.
-------------------------------
Podcasts
On a more banal note, I listened to a lot of podcasts during
my time in La Calera. I loved the sounds of pigs and dogs and rustling
cornstalks, but sometimes while I scrubbed my thin cotton t-shirts on the stone
slab, or walked down the dirt road to the nearest town, it was really nice to
listen to something else, something educational, something that reminded me of home. As such, I have become a bit
of a podcast aficionado. I thought I would share with you all some of my favorites, in case you are
also looking for something new to listen to.
My two favorite radio shows are This American Life, hosted by
Ira Glass and distributed by Public Radio International and WBEZ Chicago, and Radiolab,
hosted by Jad Abumrad and Robert Krulwich, and beamed out by WNYC. This American Life is
essentially a documentary show. It picks a different theme each week, and bring
you interesting, real stories that relate to that theme in some way. The episodes are
like little windows into the lives of normal people, and remind me of the beauty and oddity of the ordinary. Radiolab is essentially a science show. It is
also incredibly entertaining and has amazing sound engineering and music, since Jad was a
music composition major at Oberlin. Each week, they bring you a topic about the way the world works, and render it the
most compelling thing you have ever heard. With Radiolab, you can download any
of the old episodes for free, and I particularly recommend Cities, Parasites,
and Stochasticity.
While I am waiting for the newest episodes of TAL and
Radiolab, I listen to a few other podcasts, as well, most of which my friend Allison helped me
find. The Moth, which is a live show of normal people telling short stories about
their lives; Selected Shorts, in which actors read short literary works; Stuff You Missed in History Class, which are mostly profiles of lesser known characters in world history, and is hosted by two charming young women; the NPR Books Podcast, with current book reviews; Planet Money, with brief accounts about the global economy; A Way With Words, a show about the quirks of the English language; and Tara Brach’s
dharma talks.
Last Thoughts on Woody Guthrie
Some of you may know that the title for this post was
inspired by one of my favorite Bob Dylan songs, which is not really a song at
all, but more of a spoken-word poem. I am moved by this poem every time (100s) that
I listen, so I wanted to share that with you in closing.
Audio (ignore the video--I think it's distracting)
And where do you look for this hope that yer seekin'
Where do you look for this lamp that's a-burnin'
Where do you look for this oil well gushin'
Where do you look for this candle that's glowin'
Where do you look for this hope that you know is there
And out there somewhere
And your feet can only walk down two kinds of roads
Your eyes can only look through two kinds of windows
Your nose can only smell two kinds of hallways
You can touch and twist
And turn two kinds of doorknobs
You can either go to the church of your choice
Or you can go to Brooklyn State Hospital
You'll find God in the church of your choice
You'll find Woody Guthrie in Brooklyn State Hospital
And though it's only my opinionWhere do you look for this lamp that's a-burnin'
Where do you look for this oil well gushin'
Where do you look for this candle that's glowin'
Where do you look for this hope that you know is there
And out there somewhere
And your feet can only walk down two kinds of roads
Your eyes can only look through two kinds of windows
Your nose can only smell two kinds of hallways
You can touch and twist
And turn two kinds of doorknobs
You can either go to the church of your choice
Or you can go to Brooklyn State Hospital
You'll find God in the church of your choice
You'll find Woody Guthrie in Brooklyn State Hospital
I may be right or wrong
You'll find them both
In the Grand Canyon
At sundown